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After listening to all the music relates to Romeo and Juliet and other classical music how does it affect your listening?
After Tchaikovsky’s “Romeo and
Juliet, Overture Fantasy,” I encountered Berlioz’s dramatic symphony for the
first time and I noticed it has a very different approach. Although I had some
experience with Tchaikovsky’s music, Berlioz’s symphony was really to
decipher. At first I thought he didn’t
follow the play at all which confused me and so it was difficult for me to
figure out the composition’s hidden gems. Whenever I used to listen to the
symphony, I also read the words of Emile Deschamps along with the music because
I wanted to stay aware of where the story and the music coincide. Sometimes I
was lost and I used to spend considerable amount of time to find a way out of
his rainforest composition.
I used the oldest trick in the book: listening to the piece over and over again, so that I can interpret the significance behind every note in the composition, trying to connect how the music really expresses the emotions of the scene. I came to observe that Berlioz used high-pitched human voice as an instrument; I never expected such an unique approach and it surprised me quite a lot. Even after listening to it for third time, I found the piece to be abstract because the words were in French which is why I don’t feel comfortable after listening to it countless number of times. But during my ninth time listening to the symphony, I noticed Berlioz changed the story and while reading the dialogue along the music, I was crestfallen because the scene where Juliet wakes up and finds Romeo death, the music doesn’t express the deep anguish of Juliet's innocent heart and at the very end of the symphony, instead of Prince, Berlioz used Friar to draw the curtain on his symphony along with a music which express spiritual depth. The whole symphony was in very low tempo and it has a sudden outburst of high notes at high decibels, which mirrors the ups and downs of the tragic love of Romeo and Juliet.

After listening to all the music relates to Romeo and Juliet and other classical music how does it affect your listening?
Music has an amazing ability to
express human emotions, which even words sometimes cannot express. We often hypothesize about a composer's
mindset based on his music as it often becomes a expression of his inner
distress defined by anger from loss and dissatisfaction from failures although
it might not always be the case, since this is a generalization rather than
analytical understanding. When we talk
about emotions in music, we always talk about emotions in composers or
listeners but the discussion should be about describing music in emotive terms
as it does not take special understanding to differentiate between a sad and a
joyous piece. I have always been a passive listener, with minimum ability to
differentiate between compositions; classical music was always a background
entertainment for me with no depth, but as I ventured through the class, I have
been going through a musical transformation, as all classical music drives me
into an internal search to connect all the invisible dots in the composer’s
mind.
It baffles me how insensitive to
music I was, as I often used to have Pandora radio playing while I was engulfed
in other activities. Before I would never wonder why the rhythm is in low tune
or in high tune or whether the music is trying to tell a story or trying to
create images of life, how to use different instruments or express different
feelings and emotions; I hardly knew any instruments by their name or the sound
they produced. I used to listen to classical music when I came home from work
or school and while changing, making the bed or cleaning my room, I used to hum
along with the melodies. When guest used to visit us, I loved to play the
classical music since it created quite a positive impression about me! I used
to listen to music without thinking, without considering the true beauty of its
sound; I was absentmindedly listening to music without ever trying to deepen my
understanding of it
Having a nice sleep at night is very
important to me, when I found a research article regarding the issue that music
improves sleep quality in students, I was excited! The researcher investigated
the effects of music on sleep quality in young participants with poor sleep and
found music can reduce sympathetic nervous system activity, decrease anxiety,
heart and may have a positive effects on sleep via muscle relaxation and
distraction from thoughts. The research results showed that music could
significantly improve sleep quality; so relaxing classical music is an
effective intervention in reducing sleep problems. And so, after encountering
the research, I became very familiar with Beethoven’s pieces like Piano
Sonatas, Allegro molto e con brio, largo con gran espressione, because of their
soothing tone I never stayed awake more than ten minutes and they helped me
into deep slumber too. I was habituated with classical music in a very
different way; without knowing the depth of the gold mine, I began digging!
When I first listened to
Tchaikovsky’s “Romeo and Juliet, Overture Fantasy,” as a layperson to music, I
couldn’t figure out what was happening in it. I couldn’t solve the mystery
behind every tune. I didn’t even know how to simplify every tune in my mind and
it was really frustrating. It took me awhile to become a decent listener but
then another problem arose because I did not know any instruments used or their
sounds. I researched about them, trying to figure out the sounds of some
instruments used. And after watching Zeffirelli's movie of Romeo and Juliet
(1968) and reading the play, I tried to listen to the pieces again and again
and tried to connect the scenes with the music. Nowadays I pay my full
attention while listening to any of his works. I try to follow every track to find
connection with the scenes from the play, is the music expressing that scene
through its tune.
Eventually I listened to the piece
several times, cautiously that’s helps me to differentiate the scenes by
listening to the sound. After listening to “Romeo and Juliet: overture-fantasy”
for the eighth time, I was able to figure out Tchaikovsky applied timpani in
fights and tension scenes. If the music seems too ferocious or reached it’s climax,
I realized, the tune is referring to the tension scenes between the two houses.
I figured out in the entire composition, the loudest parts reflect the sword
fights in the play. When he used the harp, violin, cello or flute in low tune
that refers the scenes between the lovers. There is also some repetition of the
fragment of the lovers’ theme with violin and cellos in deep heavy tone, which
express the separation events between the pairs. There is no doubt that
Tchaikovsky was able to compose a perfect music for the tragic star-crossed
lovers’.
I used the oldest trick in the book: listening to the piece over and over again, so that I can interpret the significance behind every note in the composition, trying to connect how the music really expresses the emotions of the scene. I came to observe that Berlioz used high-pitched human voice as an instrument; I never expected such an unique approach and it surprised me quite a lot. Even after listening to it for third time, I found the piece to be abstract because the words were in French which is why I don’t feel comfortable after listening to it countless number of times. But during my ninth time listening to the symphony, I noticed Berlioz changed the story and while reading the dialogue along the music, I was crestfallen because the scene where Juliet wakes up and finds Romeo death, the music doesn’t express the deep anguish of Juliet's innocent heart and at the very end of the symphony, instead of Prince, Berlioz used Friar to draw the curtain on his symphony along with a music which express spiritual depth. The whole symphony was in very low tempo and it has a sudden outburst of high notes at high decibels, which mirrors the ups and downs of the tragic love of Romeo and Juliet.
After experiencing Romeo and Juliet
through the glasses of classical music, I started to acknowledge music in a
very different way. From my personal reflections, I realized that the best way to understand
music is by being aware of the rhythm of the notes. Only listening to music is
not enough, as good listeners are good analyzers, which opens doors of new
possibilities for them. Scholars like Copland has divided listening to music
into three categories: sensuous, expressive and sheerly musical plane and
before encountering composers like Tchaikovsky, I was drowning in the sensuous
plane without even realizing it. But as I ventured into their work I
rediscovered music and swam to the expressive plane, but sadly I am no where
near the sheerly expressive plane, but I will try my best and I believe with
time and commitment I will become a much better listener, maybe not as skilled
as composers like Berlioz, but I will be much closer to his level than I am
today!
Classical music is an unique creation
of men as they impel us to think about the hidden gems and logic in every
rhythm; the emotion that it can create in human mind are not always expressible
in words. After my traverse through the world of classical music, I believe
that classical music can only be described using rich words to truly express
the beautiful pictures they paint. Ordinary words will not be enough to express
the precise meaning behind every rhythm as they have their own world. If you
are lucky enough to enter the world of their's, take some time to enjoy them as
they will enhance your life.
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